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ESSENTIALS OF MUSIC THEORY VOL 1-3
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| Platform |
Hybrid |
| Note Reading |
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| Note and Rest Values |
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| Clefs Used |
Treble, Bass, Alto, Tenor, Grand Staff |
| Introduction to the staff/notes |
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| Accidentals |
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| Whole and Half steps |
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| Intervals |
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| Triads |
m, A, d |
| Seventh Chords |
V7 only |
| Chord Inversions |
Yes |
| Key Signatures |
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| Circle of Fifths |
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| Scales |
Minor |
| Modes |
Yes |
| Relationship of Modes to home M/m key |
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| Jazz Scales |
Yes |
| Time Signatures |
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| Tempo Markings |
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| Dynamic/Articulation Markings |
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| Instrument Sound Recognition |
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| Instrument Key & Range Identification |
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| Harmonic analysis by Scale Degree |
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| Chord Progressions |
M, m, blues progressions |
| Harmonic analysis by Roman Numeral |
Figured Bass |
| Transposition |
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| Harmonizing a Melody |
Yes |
| Musical Forms |
Yes |
| Teaching Component |
Yes |
| Reference Materials |
Glossary of Terms |
| Ear Training Component |
Yes |
| Input Methods |
MIDI Controller, Mouse, Computer Keyboard |
| Record Keeping |
Yes |
| Testing Features |
Yes |
| Customizable |
Yes |
| Other |
Broken Chords, Arpeggiated Accompaniment, Passing & Neighboring tones |
| Skill Level |
Beginner, Intermediate |
| Purpose |
Theory, Ear Training, Harmony |
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